Donatello The following biography information provides basic facts and information about the key dates and events in the life of Donatello who was famous as a great Italian Medieval sculptor of the early Renaissance. The Middle Ages encompass one of the most exciting periods in History. The names of famous Medieval people scatter the History books. What were these important people of the Middle Ages famous for?
Donatello The Italian sculptor Donatello was the greatest Florentine sculptor before Michelangelo and certainly the most influential individual artist of the 15th century in Italy.
Nearly every later sculptor and numerous Florentine and Paduan painters were indebted to him. Though Donatello was a descendant of a branch of the important Bardi family, he was brought up in a more plebeian tradition than his older contemporary Lorenzo Ghiberti.
Gifted with humanistic insight and a quality of will that were highly prized in the early Renaissance, Donatello revealed the inner life of his heroic subjects, memorable images which have conditioned our very conception of 15th-century Florence.
Sharing neither Ghiberti's feeling for line nor Filippo Brunelleschi 's interest in proportion, Donatello worked creatively with bronze, stone, and wood, impatient with surface refinements and anxious to explore the optical qualities he observed in the world about him.
His later art, saturated with the spirit of Roman antiquity, is frequently disturbing in its immediacy as it attains a level of dramatic force hitherto unknown in Italian sculpture. Little precise biographical information has come down to us, although many anecdotes are recorded by Giorgio Vasari in his Lives.
Donatello was apprenticed to Ghiberti, and inat the age of 17, Donatello was working for the master on the bronze reliefs of the First Doors of the Baptistery. By he had left Ghiberti for the workshops of the Cathedral. Early Works One of Donatello's earliest known works is the lifesized marble David ; reworked ; now in the Bargello, Florence.
Intended to adorn a buttress of the Cathedral, in it was set up in the Palazzo Vecchio as a symbol of the Florentine republic, which was then engaged in a struggle with the king of Naples.
Dramatic in posture and full of youthful energy, the David possesses something of the graceful late Gothic feeling of a figure by Ghiberti, though Donatello now admits us to a world of psychological tensions. Rapidly maturing, Donatello produced a strong, original, dynamic style in two works: Markin a niche on the exterior of Orsanmichele, completed between andand the seated St.
John the Evangelist for the facade of the Cathedral now in the Museo dell'Operafinished in These powerful, over-life-sized figures established the sculptor's reputation. Mark broke with tradition in its classical stance, realistically modeled drapery, and concentrated face with such optical subtleties as a detailed analysis of the eye.
It became a stunning symbolic portrait of a noble Florentine hero in the embattled republic of Donatello's day. Donatello's new style was confirmed in the famous St. George, carved in marble about for the exterior of Orsanmichele later replaced by a bronze copy; the original is in the Bargello.
Resolute in stance, the Christian saint has the face not of an ideal hero but of a real one.
Even more significant is the little marble relief St. George and the Dragon, that decorates the base of the niche.Donatello (Donato di Niccolò di Betto Bardi), master of sculpture in both marble and bronze, one of the greatest of all Italian Renaissance artists.
A good deal is known about Donatello's life and career, but little is known about his character and personality, and what is known is not wholly reliable. Italy Andrea del Verrocchio life and career of donatello as a master of sculpture the physics behind the power of a jet engine (Italian pronunciation: [andra del the effectiveness of the us foreign policy of containment during the cold war verrkkjo]; c ).
by Dr Carole Reeves) has been written by Bamber Gascoigne The Plague. Donato di Niccolò di Betto Bardi (c. – 13 December ), better known as Donatello (Italian: [donaˈtɛllo]), was an Italian Renaissance sculptor from timberdesignmag.com studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career.
Donatello shot to fame early on as an apprentice to Lorenzo Ghiberti and eventually became one of the most sought-after artists in Italy for his life-like, highly emotional sculptures. Donatello first received training at a goldsmith's shop and then with Ghiberti.
Donatello: Donatello, master of sculpture in both marble and bronze, one of the greatest of all Italian Renaissance artists.
A good deal is known about Donatello’s life and career, but little is known about his character and personality, and what is known is not wholly reliable. Donatello Art and Statuary work The story and biography of this great artist and sculptor contains interesting information, facts & the history about the life of this Medieval person of historical importance.